There was still plenty of time, so in spite of the growing cold and fading light, I walked over the bridge to the Cataract Gorge. So many years had passed since I walked along that path in the damp shade smelling of earth and leaves and age.
I stopped at a wooden seat and drew the rocks till my fingers were too numb with cold. Then walked back to the transit centre to catch my bus.
The weather in Hobart was comparatively mild, but not so mild that sitting outside drawing seemed like a great idea. I did brave the elements one morning to the extent of sitting on Jo's patio long enough to sketch the view across the valley to the hill on the other side of it - but mostly I drew interior things.
I didn't stay inside at Jo's house all the time. I went to the movies at the State and had a tour of the building - the first time I'd seen the new additions - amazing architecture! I wandered around North Hobart, the city and the docks but only in short bursts interspersed with long periods of having coffee, browsing in bookshops and other warm pursuits. There was one terrific afternoon when I rocked up to a Japanese restaurant in North Hobart way past lunch time and had the place to myself, except for the staff, of course, and a boy who sat at a table near the kitchen and slept with his head propped up on his hands. He kindly woke up for long enough to re-fill my water brush for me. Here is the sushi drawing from that day:
Now I'm back in Perth, back at work, back in the present. I've been working on self portraits - I'll post some soon.
I enjoy your art in Sketchbook Skool. I love it here as true art journal continuous story. That ironing board one smarts of Tommy Kane cross hatching, all the lines really! You are one awesome artist!
ReplyDeleteThanks, Lynn
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